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Stoney Lamar: A Sense of Balance

This is the final weekend to see Stoney Lamar’s wood and steel sculptures—a graceful display of balance, symmetry and energy—at the Arkansas Arts Center in Little Rock.

Two of his larger works greet you as you approach the exhibit’s entrance. As you enter the multi-room display, a sense of both peace and tension flows through: a result, it seems, of vibrations flowing among the turned-and-cut offerings awaiting you on their individual white altars.

In a video accompanying the exhibit, Lamar displays his work methods, and clearly defines his artistic approach. It includes what he sees as a tension between the organic wood and inorganic steel, and how he doesn’t design beforehand as much as let the art unfold through the wood-turning and steel-cutting process, and its melding into its own balanced existence.

Notes the Arts Center on its website:

Uninspired by traditional turned wood vessel forms, Stoney Lamar embarked on a personal exploration of the lathe and other tools of turners and woodworkers. This spirit of experimentation has firmly placed his work in the avant-garde of the wood turning world. Not only was he one of the first to use multi-axial turning, but eventually he added steel, color and distressed surface treatments.

The exhibit closes on Sunday, Jan. 18.

 

stoney 1757

 

 

 

 

 

 

 

 

 

 

Moroccan-Children-1024x1536

 

“Moroccan Children”

 

 

Blue-Tree-Shoes-1-1024x1536

 

“Blue Tree Shoes”

 

Cape-Cane-1024x1536

 

 

“Cape and Cane”

 

Lady-in-Waiting-2-1024x1536

 

“Lady in Waiting”

 

Suspended-Wire-Walker-1024x1536

 

“Suspended Wire Walker”

 

Muse-1011x1536

 

“Muse”

 

stoney-lamar-1036-682x1024

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Stoney Lamar and “Helix Tower”

 

Roger Armbrust

Roger Armbrust's articles and columns have covered labor and management, Congressional legislation, and federal court cases, including appeals to the U.S. Supreme Court. He formerly served as national news editor of Back Stage in New York City, where he also taught a professional writing course at New York University. His recent book of sonnets -- oh, touch me there: Love Sonnets -- is available from Amazon and other book sites. He is an associate curator of The Clyde Fitch Report. He is also co-founder and co-curator of reality: a world of views.

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